Using audience research and neuroscience as complementary methods to explore how spectators respond to and empathise with dance movements.
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Oliver Sacks may be approaching his 80th birthday but the renowned neurologist remains prolific.
< http://www.bbc.co.uk/go/em/fr/-/news/magazine-22301843 >
Posted by Watching Dance Administrator on May 3, 2013 at 7:00
We welcome you to register your attendance at iscMME2012. The inaugural conference will be held at the University of Leeds on the 18th June 2012. The day will consist of presentations, interactive demonstrations, live performances and compositions, including a world premier of Diego Garo's work Más Claro and keynote by Brian Eno. Our recently announced provisional programme can be viewed at:…
ContinuePosted by Yevgeniya (Jenya) Kovalchuk on June 11, 2012 at 7:35
I have been really interested in developments over the years in Mirror Neurons and Science based research on spectatorship or audience response, but I wonder 'what can science not explain?' and why are we looking to science to explain or prove what we know or feel within our bodies? There are n-number of things that might make my brain activity wild, equally my heart race and give my muscles a sense of action or cause my skin to sweat. So whilst science may prove these things it does not…
ContinuePosted by Charlotte Nichol on April 16, 2012 at 23:26
Call for Proposals
ECLAP 2012 International Conference on Information Technologies for Performing Arts, Media Access and Entertainment
7-9 May 2012, Florence, Italy
Conference Web-Page: http://www.eclap.eu/conference
Call for Proposals, Deadline: 1 February, 2012.
CFP Web:…
ContinuePosted by Yevgeniya (Jenya) Kovalchuk on January 23, 2012 at 16:03
Thursday
May 16, 2013 at 6pm to October 31, 2013 at 7pm – Kingston University
Thursday
Friday
As part of the Watching Dance project I have been developing alternative methods of both conducting and communicating research with audiences. Often when analysing qualitative audience research I produce large numbers of mind maps that I use to think through the material I am collecting. Usually these mind maps are private, with only the final written paper published. However, I'm interested in how these mind maps could also be public documents and have produced one trial mind map relating to…Continue
Started by Matthew Reason. Last reply by Hannah Mar 15.
Hi I was wondering if anyone had any information on the conference that was held at Manchester Met Uni about 10 years ago.. it was concerned with defining what dance theatre was at the time. Any other links to research surrounding the understanding and defining of this ambigious term (dance theatre) would be most appreciated. ThanksbelindaContinue
Started by Belinda Grantham Jan 16.
I have been really interested in developments over the years in Mirror Neurons and Science based research on spectatorship or audience response, but I wonder 'what can science not explain?' and why are we looking to science to explain or prove what we know or feel within our bodies? There are n-number of things that might make my brain activity wild, equally my heart race and give my muscles a sense of action or cause my skin to sweat. So whilst science may prove these things it does not tell…Continue
Started by Charlotte Nichol Apr 16, 2012.
Hello! I am currently doing some research on how specific genres of dance affect an audience. My main theory is that rhythm heavy dances with intense emotional investment affect an audience more intensely than dances where technical control is key. So the main battle is Cherokee tribal dance vs. ballet or contemporary dance. It seems almost obvious that more intense dances affect people more but is it right to distinguish the intensity of a dance by the rhythm and emotional ties. Obviously a…Continue
Started by Lauren Dobbs. Last reply by Adriana Pegorer Sep 5, 2011.
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