Using audience research and neuroscience as complementary methods to explore how spectators respond to and empathise with dance movements.
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Call for Proposals
ECLAP 2012 International Conference on Information Technologies for Performing Arts, Media Access and Entertainment
7-9 May 2012, Florence, Italy
Conference Web-Page: http://www.eclap.eu/conference
Call for Proposals, Deadline: 1 February, 2012.
CFP Web:…
ContinuePosted by Yevgeniya (Jenya) Kovalchuk on January 23, 2012 at 4:03pm
Scientific Theatre Workshop: Multidisciplinary Approach to Designing Intelligent Environments, 25-26 July, Nottingham, UK
Submission deadline 18th April
Posted by Yevgeniya (Jenya) Kovalchuk on March 29, 2011 at 4:48pm
Music and Gesture : 2nd Musical Itineraries Forum
Lisbon, Portugal, 28 and 29 October, 2011
The Center for the Study of Sociological and Musical Aesthetics – CESEM (Faculty of Humanities and Social Sciences, University NOVA of Lisbon), announces the call for papers for the 2nd Musical Itineraries Forum: ‘Music and Gesture’ taking place in Lisbon, 28 and 29 October 2011.
The Musical…
ContinuePosted by Isabel Maria de Cavadas Valverde on February 20, 2011 at 1:30am
Posted by Watching Dance Administrator on September 30, 2010 at 12:29pm
Friday
Wednesday
February 22, 2012 from 6pm to 7:30pm – The British Academy
Thursday
March 22, 2012 from 6pm to 7:30pm – The British Academy
Hello! I am currently doing some research on how specific genres of dance affect an audience. My main theory is that rhythm heavy dances with intense emotional investment affect an audience more intensely than dances where technical control is key. So the main battle is Cherokee tribal dance vs. ballet or contemporary dance. It seems almost obvious that more intense dances affect people more but is it right to distinguish the intensity of a dance by the rhythm and emotional ties. Obviously a…Continue
Started by Lauren Dobbs. Last reply by Adriana Pegorer Sep 5, 2011.
All Round Table panellists were invited to speak for 2 minutes on the relevance of kinesthetic empathy to their work. Your comments are welcome! The notes below are compiled in alphabetical order, by speaker. Glenna BatsonEmbodied Practices Say out loud the word “running” while you mentally visualize yourself “throwing,” and one can readily see the interpenetration of thought, language, and motor imagery of a physical act. Kinaesthetic empathy is our capacity for simulating and embodying…Continue
Started by Watching Dance Administrator Aug 9, 2011.
Hopefully the link to the full schedule for the Dance and Somatics conference is now working!
Started by Sarah Jane Whatley. Last reply by Isabel Maria de Cavadas Valverde Jul 8, 2011.
Hello, friends of Watching Dance and the Ning forumI read a most compelling article the other day by Maxine Sheets-Johnstone on the uniqueness of kinesthesia and movement -- beyond what neuroscience conceives of as "embodiment" and more fundamental than "action". Sheets-Johnstone outlines ways in which space-time-effort are exemplified/manifested in movement. I would welcome any comments on the article -- what and how it is that movement itself (and dance, by extension) provide unique…Continue
Tags: movement, kinesthesia
Started by Glenna Batson May 3, 2011.
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